Dedicated to critical cultural production at the intersection of art and activism.

We cover artists from around the globe whose work explores and realizes social change. Our goal is to provide a narrative about these activist efforts while simultaneously participating in them. Maintained by The Groundswell Collective since 2007.

Art School: Propostions for the 21st Century

Chris Kennedy wrote this post at 6:07 pm on September 21st, 2009.

(Artist and Groundswell guest blogger Chris Kennedy makes projects for the land and for situated communities. His ongoing projects include Artiscycle, Groups and Spaces, and the Institute for Applied Aesthetics.)

MIT Press just released a new book Art School: Propostions for the 21st Century edited by Steven Henry Madoff. After reading half-way through the a great collection of essays – it’s turned out to be quite an amazing book – artists and educators alike thinking critically about what art education in the 21st century will encompass, how will we address the problematic factory of MFA programs and the lack of funding for artists emerging from institutions around the world? It offers some inspirational options, critique and invitations for action. I recommend taking a peak if you have some cash to spare!

The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today’s artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms.

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[...] *Art School: Propositions for the 21st Century just issued by MIT Press. (Via Groundswell). [...]

Gaetano Porcasi is a Sicilian artist and school art teacher. His paintings are considered unique not only for their social and political commitment but also for the technique and choice of typical Mediterranean colours from which a strong and deep Sicilitudine (Sicilian mood) emerges. The 2003 itinerant exhibition Portella della Ginestra Massacre is a good example: in 1947 a group of Sicilian farmers was shot and killed in Portella by the outlaw Salvatore Giuliano and his men under orders from the local Mafia mobsters and big landowners in order to stop the farmers’ attempts to occupy and plant uncultivated local land. His historical paintings which denounce the violence and oppression of the Mafia find their counterpart in his paintings which depict sunny Sicilian landscapes rich in lemon, orange and olive trees, in prickly pear, agave and broom plants. They show the wealth of a land that has been kissed by God but downtrodden by man. In painting the sky of his native Sicily Gaetano uses several different hues of blue and it’s from this sky that his pictorial journey starts. In his paintings the history of Sicily, which has always been marked by its farmers’ sweat and blood and by their struggles for freedom and democracy, finds its pictorial expression in the fusion of the red flags of the workers with the Italian flag in a sort of Italian and Mediterranean epopea. The red flags and the Italian flag stand out against the blue sky that changes its hues according to the events, the seasons, the deeds and the moods that are painted on the canvas. The luxuriant nature of Sicily with its beautiful, sunny, Mediterranean landscapes seems to remain the silent, unchangeable and unchanged witness to events and the passing of time. Here people are only accidenti, they aren’t makers of their own life. Thus Gaetano makes a clear-cut metaphysical distinction between a benign, merciful nature and Man who breaks the natural harmony to satisfy his wild, unbridled ambition and selfishness and who becomes the perpetrator of violence and crime. Gaetano is also an active environmentalist and his fight against all forms of pollution has already cost him a lot of aggravation.www.gaetanoporcasi.it